Step into an environment constructed by seven unlikely architects – theatre artists, dancers, and a musician. The space buzzes with energy as the builders work tirelessly to create the realms of their dreams. In a chaotic merging of theatre and installation, The Builders investigates transformation, territory and the practice of making ourselves at home in the world.
Taking inspiration from the worldwide phenomenon of art environments built by outsider artists, The Builders explores the compulsions behind transforming spaces, materials and the self. The performance immerses the audience into an unfamiliar territory inhabited by the builders, each one engaged in a relentless effort to transform their immediate surroundings. As they work, they reveal their stories and their processes, illuminating the ways in which occupied spaces become reflections of individual identities, mythologies and desires.
Constructed almost entirely out of found materials, the environment of The Builders features 500 feet of netting, three bolts of cast-off fabric, 35 milk crates, along with heaps of ivy, plastic recycling, mylar and scrap metal. Although the materials of the builders are familiar, the spaces they build defy convention and expectation. A gardener tends to a heap of plastic garbage, turning bottlecap seeds into translucent flowers and spindly trees. A lonesome mechanic becomes a bedazzled cowboy in a rhinestone realm that glitters and shines, while another builder aspires to live in the trees, alongside a giant woman woven from branches. All this and more comes to life within the performance, which also features music by David Cowling (of the band Leave) and additional set design by Amanda Larder.
Conceived and directed by Megan Stewart. Devised over a five-month process in collaboration with the ensemble: Robert Azevedo, Gordon Havelaar, Eveleen Kozak and Keely O’Brien
“The oddball protagonists of The Builders shrug off the senseless oppressions and conventions of the society that surrounds them, and set themselves to the sublime task of cobbling together their own unusual havens – or perhaps, heavens. …they reveal the infinite little ways in which a space can be explored, adored, claimed, conceded, and endlessly changed by anyone who identifies with it, and calls it a home.”
– Dillon Ramsey, VANDOCUMENT