Wake the River Clyde

The fourth year of The River Clyde Pageant, in New Glasgow, PEI.

Co-directed by Megan Stewart, Ker Wells, Jane Wells, Ian McFarlane & Annie Therrien-Boulos

Artistic & Production Support from: Emily Wells, Joanna Caplan, Marti Hopson, Andrea Ellis, Evan Medd, Dominique Hat, Kyla Gardiner, George Rahi, Robyn Jacob, Arnold Smith, Sebastien Labelle, Sue Leblanc, Laura Astwood, Kathy Randels, Robin & Debi Stevenson, Tara Callaghan, Maikayla MacPhail, Krissi Ewing, Kristian Brevik, Norah Pendergast, Mark Carr-Rollitt, Patrick Brunet, Alyson Smythe, Virginia Harris, and many, many others.

In the Wake of the Tale received financial support from the Canada Council for the Arts, Canadian Heritage, the PEI Arts Grants program and Innovation PEI.

“The river teaches us about movement and change. It is forever in motion – a reliable agent of change, and a powerful reminder of the forces greater than us in the universe. It does not make us any promises; it especially does not promise its constant presence. That is one reason why Ker and I initiated this project five years ago, when we became acquainted with the River Clyde and the drastic, accumulating changes it was undergoing. We sensed the river was revealing how ephemeral it could be, a presence not to be taken for granted; and so, we started from there. Along the way, we gathered an extraordinary community that has reached out far beyond their own lives to support this project and support the River Clyde. Both the river and the Pageant community have taught me many things in four years of making art here. This summer, I learned the particular struggle of holding immense grief alongside great joy. There’s so much to grieve; the absence of our co-director and dear friend Ker, the deaths of eight North Atlantic right whales this year, the atrocities inflicted daily upon the planet and each other. And yet, joy persists, appearing each day to keep us moving forward. A red dory gliding across still waters. Bald eagles soaring above. Eighty people lifting their voices up to sing loud. Admitting that we don’t know what will happen in the end, but at the very least, it is a great privilege and a great joy to be here together right now.”

Megan Stewart, 2019 Pageant Director’s Note

Photos by Robert Van Waarden. Video by Millefiore Clarkes.

Catch a River by the Tale

Catch a River by the Tale was the third iteration of The River Clyde Pageant in New Glasgow, PEI. The 2018 Pageant was directed by Ker Wells and I, in collaboration with over 140 incredible people – 60 performers, over 70 volunteers, and an 18-person creative team.

This year’s Pageant maintained the production process that has been in place since the first year but radically shifted the show’s structure, moving from a processional performance through the village of New Glasgow to a single-site production in an outdoor field of the Little Victory Microfarms. The new structure allowed us to explore the potential of using both land and water as stage, and create more lasting design elements on the site, including a Cantastoria frame, platforms embedded in the river for six water dancers, and a hanging installation of chime boxes created by composer and instrument-builder George Rahi.

The Pageant’s narrative, informed by the work of writers Mary Oliver, Annie Dillard and Virginia Lee Burton, took on a much more expansive, expressionistic focus. We sought to create space for attention and contemplation of the natural environment, and how we, as human beings, create a sense of identity and place through the act of telling stories. We were guided by Oliver’s proposal of attention as the beginning of devotion, and we used a three-act structure to guide the audience’s attention to the landscape, the water, and the transformations that emerge in the space where the water meets the land and thus, human activity.

Artistic & production support from Emily Wells, Jane Wells, Ian McFarlane, Marti Hopson, Travis Boudreau, Joanna Caplan, Evan Medd, Anne Paulus, George Rahi, Arnold Smith, Sebastian Poissant-Labelle, Sue Leblanc, Laura Astwood, Kathy Randels, Robin & Debi Stevenson, Tara Callaghan, Kyla Gardiner, Krissi Ewing, Afton Mondoux and many, many others.

Catch a River by the Tale received financial support from the Canada Council for the Arts, Canadian Heritage, the PEI Arts Grants program and Innovation PEI.

Photos by Robert Van Waarden. Video by Millefiore Clarkes.

Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones – inkberry, lamb’s quarters, blueberries. And the aromatic ones – rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms.

Attention is the beginning of devotion.”  

-Mary Oliver, Upstream

A Little Pageant Process Gallery

When it comes to making the River Clyde Pageant every summer, it often feels like we put our heads down and dive into creation work at the beginning of June and don’t come up for air until the end of July, when the first weekend of performances end.

There’s never enough time spent documenting the slow and complex magic of the process, simply because we can’t always remember to pull out our phones, nor is it very useful to extract ourselves from whatever project we’re working on, just to be the documenter.

But scattered in my phone are some real gems from the the making of this whale of a show. And since they don’t get much exposure beyond my iPhoto Library, I figured I could at least bring them into the world here. Click on through to see ’em up close.



Last weekend we got our lovely American and Canadian Pageant pals together for Backstabbers! An Evening of American/Canadian Reconciliation & Solidarity Salon at The Mill. Our countries can transcend trade wars and questionable government leaders, right?! All we need are some good tunes.

The event was organized by Marianne Rendon with Kathy Randels and Sean LaRocca, who had spent the past week with us leading The Singing River music workshop for The River Clyde Pageant. Lots of songs were shared over the two evenings, from Woody Guthrie to the McGarrigle Sisters, and there were some rousing group numbers too…a couple snippet-length videos to serve as evidence, below…

The answer is in your dreams

We had such a great time singing with our pals Kathy Randels, Sean LaRocca and Marianne Rendon at The Mill this past weekend. And we raised $1000 for the ACLU and RAICES Texas!

Posted by The River Clyde Pageant on Wednesday, July 11, 2018


The River Clyde Pageant: Take a load off Fanny…

Full Pageant jam from last night! Catch Backstabbers: An Evening of American & Canadian Folk Music again tonight at The Mill! 8-10pm, admission by donation and proceeds go to ACLU & RAICES.

Posted by The River Clyde Pageant on Saturday, July 7, 2018



The River Clyde Pageant

In the golden hour before sunset, on a summer evening in New Glasgow, a group of children run down to the River Clyde to go fishing. Arriving at the riverbank, they find no fish, but instead, a Singing Oysterman. The Oysterman teaches them a secret fish song, which draws out a colourful cast of wildlife creatures, who take the children on a magical journey along the river. This is the River Clyde Pageant.


Directed by Ker Wells and Megan Stewart, with support from Chef Emily Wells and the staff of The Mill restaurant, The River Clyde Pageant is created and performed by local artists and community members from New Glasgow, Charlottetown and across the island. It is inspired by the history, mythology and contemporary environmental issues associated with PEI rivers and waterways. It celebrates the spirit, strength and imagination of the local community.

The first performance of The River Clyde Pageant occurred July 29-31, 2016. Each performance concluded with a free community supper on the lawn of The Mill. The project was funded in part through the Canada Council’s Artists & Community Collaboration Program.

The Pageant has its own website! And a Facebook page where you can see lots of photos and regular updates from us.