Elsewear

elsewear

Project created in residence at Elsewhere Museum in Greensboro, North Carolina, August 2016

Elsewear takes Elsewhere Museum’s collection of vintage thrift as the starting point for a series of interactions based on clothing and memory. Over 25 different outfits were taken from Elsewhere’s wardrobe to be worn by the artist throughout the duration of the residency. These items of clothing were washed, mended, ironed, worn and documented on a daily basis.

The outfits sparked conversations and interviews with fellow residents, museum staff, visitors, and community members. These discussions revealed the power of clothes as everyday materials that shape our identity and mediate our encounters with the rest of the world. As a witness, a performer, and a protector within the endless process of self-fashioning, clothing can control the body as much as it can liberate it.

Selections from these conversations are compiled within the Elsewear Style Museum, a monogrammed suitcase that serves as a growing archive of clothing memories and a collaborative, multi-perspectival guidebook on style. On the third floor, the selected outfits hang on display. Suspended from the ceiling, they form a forest of garments that are dense with the memories of past wearers, the artist included. And while clothing gathers memory and meaning, clothing stories can be inscrutable, known only to their wearer. Elsewear attempts to bring these stories to light.

 

With documentation assistance from Fraser Carr Miles and Sam Stewart, and clothing care advice from Amanda Carr.

Amanda Carr wrote a bit about this project for The Women’s Room.

Ears Pricked, Eyes Peeled

EPEP-P Callbeck1 (web)

The telephone rings, answer it! Listen carefully: the voice on the other line has something to say. Pay attention to your surroundings. Is anything out of the ordinary? Who builds the worlds that open up around you?

Theatre for the ears, eyes and imagination.

Ears Pricked Eyes Peeled is two-part installation and performance. It was first presented at Art in the Open in Charlottetown, Prince Edward Island on August 23, 2014

Technical assistance and sound recording by Adam Gallant
Performers: Carmen Belanger, Sam Stewart, Russell Louder, and Jan Rudd as the voice on phone
Photos by Patrick Callbeck, Andy Reddin, Michael Wasnidge and Andrew Hoffman

The Crow Parade

Crow Parade 2011

A public procession and performance for Art in the OpenAugust 2011.
Created during a week-long studio residency in collaboration with Jamie Shannon & Harmony Wagner, the Crow Parade encouraged humans to transform themselves into crows by donning feathery costumes and black beaked masks, and fly through the streets of Charlottetown in a marvelously macabre procession, culminating at the Victoria Park battery. Over the course of the week, Jamie, Harmony and I created large-scale puppets and costumes, and led public costume making workshops. We then led the parade of “crows” through the city, cawing and cackling all the way.

The Crow Parade has since become an annual event at Art in the Open that gathers hundreds (hundreds!) of costumed crow people to parade through the streets of Charlottetown.

Interactive, creative, & those bloody crows
“The bloody crows were everywhere. Sinister, glorious and cawing awfully, they emerged from the belly of the Confederation Centre of the Arts to provoke and preen for the people of Charlottetown. Some had splendid beaks; others trundled over sidewalks on large, rubbery toes. They threaded through the crowd on Richmond Street, owned the boardwalk towards Government House, and perched triumphantly atop the battery at Victoria Park. The crows’ performance surfaced our city’s conflicted relationship with the dark, scavenging, raucous birds, just as the Art in the Open extravaganza surfaced the dynamic, multi-disciplinary artistic and creative force at work in Charlottetown’s capital.”

-Henk van Leeuwen, The BUZZ, October 2011